Here’s a simple soloing/harmonic thing you can use to ‘bring a little joy into your hum-drum lives‘. ;) Plus I show you how this leads…
Read MoreDelayed Resolutions – Part 2
Hey, Mike here.. In the last lesson I showed you how to use Delayed Resolutions to get a bit of the unexpected into your playing. This time I…
Read MoreDelayed Resolutions – Part 1
Hey, Mike here.. In this lesson I’m showing you how to use Delayed Resolutions to get a bit of the unexpected into your playing. Try this next time…
Read MoreChord Tone Improvisation – The Gateway to Musical Connections
Hi, wanted to tell you about one of our courses at ElectricCampfire.com It’s called ‘Chord Tone Improvisation’, and it’s a video based course about musical…
Read MoreHow To Use 7b9 Chords
In this lesson you’ll learn the fundamentals of how and where to use 7b9 chords. Say you’re playing a tune in a minor key. The…
Read MoreLocrian Chords & Alternative Scales or: The Old Man And The Dog
Locrian Chords “What the hell else can I do with a Minor 7 flat 5 chord? Locrian Mode? Ok, that sounds weird, I’ll maybe stick…
Read MoreQuality Change
Are you bored of using the same voicings/sounds every time you play a blues? Well here’s an easy way to explore some new sounds. Change…
Read MoreThought Lines: Inverting Lines Through Structures
Years ago, I wrote myself a little chord book to find some new chords. I wrote out all the possible combinations of 4 different notes…
Read MoreHow To Use a Pedal Point
A pedal point is a simple harmonic device which can add tension to your chord progressions and arrangements. Here are four examples: You can feature the pedal…
Read MorePolychord
Here’s a polychord of E and Eb major that I’m particularly fond of. RE writing: I use a diagonal line to indicate a slash chord…
Read MoreTour Guide
Think of your job as taking the audience on a little tour of the piece you’re playing. Point out interesting bits. Tell tall stories. You…
Read MoreWhat Are Secondary Dominants?
In the key of C major, the primary dominant is G7 Secondary dominants are dominant chords that resolve to all the other chords in the…
Read MoreVoicing Layers
Three layers: Bass note Guide tones Colour tones. E.g., this G13 voicing: 3 X 3 4 5 5, or this one: X 10 9 10…
Read MoreHow To Play Giant Steps on the Guitar
Here’s a simple method to understand how John Coltrane’s composition ‘Giant Steps’ is constructed. It’s basically a Yo-Yo of a chord progression; it goes down…
Read MoreDiminished chords in scales
There are four locations for a diminished 7th chord within the Harmonic Minor and Harmonic Major Scales. If you treat the diminished 7th as a…
Read MoreBest Use Of A Diminished Chord?
Tell me the best place you’ve heard a diminished chord * Anyway, one of my favourite tunes is ‘Beatriz’ by Chico Buarque, there are some…
Read MorePlaying dominant chords with upper structure triads
Three part chords is what we have here. Part 1. The Bass Note It’s a C. Leave it to the bass player – they’ve trained…
Read More7th Chord Inversions. II V I
Here are all the 7th chord inversions using these here voicings on strings 6432 for a II V I progression in G major. Learn it…
Read MoreDyad Comping in D dorian #2
Here are the possibilities for different intervals in D Dorian on the D and G strings. Of course, if you have exceptionally long fingers, or…
Read MoreDyad Comping in D Dorian #1
Here’s a way of comping on a static modal vamp. The kind of thing that might be appropriate on a tune like ‘So What’ or…
Read MoreSus 4 resolutions in C Major
George Van Eps wrote three books on manipulating chords called Harmonic Mechanisms for Guitar. It’s full of things to do with chords. Very full :)…
Read MoreStacked Diminished Chords
One way of looking at the diminished scale is to see it as two diminished chords arranged in various ways. If you stack them one…
Read MoreTchaichordsky
Nice chord I took from Tchaikovsky’s String Quintet. It’s a bit of a stretch, and you have to fret a couple of notes with the…
Read MoreHarmonic Minor Chord Scale
Here are a couple of my favourite harmonic sounds from the Harmonic Minor. Combine these structures to get the flavour of the whole scale. To…
Read MoreChords from another planet
Share a favourite harmonic moment. I guess this could either be a chord change, or a bunch of chords. Or the sound of a chord,…
Read MoreNo Repeat Voicings: Just A Minute!
No Repeat Voicings – Another Mike Walker thing that he used to force me to do. He was quite a strict teacher. He used to…
Read MoreHarmonic Cycles #2
Harmonic Cycles using the D Harmonic Minor scale. Try voice-leading, but today, why don’t you try to arpeggiate all these chords somehow? Maybe sweep-pick them…
Read MoreHarmonic Cycles #1 – Melodic Minor
Here’s the harmonised A Melodic Minor scale arranged in various cycles. The last three are the reverse of the first three, but you knew that…
Read MoreLinear Connections – Triads
Same chord progression as before: C-7 A-7 F#-7 Eb-7. But this time applied to the available triads within the Dorian mode. You could apply yesterday’s…
Read MoreLinear Connections #2
Same chord progression: C-7 A-7 F#-7 Eb-7, but this time you apply the Linear Connections idea to chord voicings. The idea is to make the…
Read MoreHow To Be A Great Accompanist
Focus on the other player (s) It doesn’t matter how many chords you know. You focus on the other player. Some people like it when…
Read MoreTweaking Simple Chords with Diminished Colours
Here’s one way I like to use the diminished scale: Take plain sounds, simple sounds. The kind of sound that some heathen type might play….
Read MoreHarmony From The Diminished Scale
Here’s some harmony from the diminished scale – triads and extended chords that exist within G diminished. In this particular key you have all the…
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