I’m not very good at getting things done. If you’ve ever followed my endeavours to finish the various things I start, you’ll have an idea…
Read MoreSubtract
Just did a gig with a bass player and a singer last night, and I haven’t done that for a while. It reminded me that…
Read MoreHoliday For Hand: Forced Creativity
Drummer Leon Parker would sometimes play whole gigs with just a cymbal. Pretty daring, but what an amazing way to learn! If you want…
Read MoreGive Yourself A Problem
I said in a previous post that creativity is where imagination meets reality. It’s very easy to start the creative process. You just imagine something,…
Read MoreHow To Play Giant Steps on the Guitar
Here’s a simple method to understand how John Coltrane’s composition ‘Giant Steps’ is constructed. It’s basically a Yo-Yo of a chord progression; it goes down…
Read MoreGo Back to the Root
What was the thing that made you want to play? What was the best experience you’ve had playing music? What was the best gig you’ve…
Read MoreFeelings
I like to play from feeling. I’m not so excited by the idea of ‘thinking’ when coming up with some music, be it improvised or…
Read MoreStart From a Different Place
Just resist what you normally do. Do you play solos that start low and end high? Start high then. Start with a barrage of 32nd…
Read MoreCreate or Break a Habit
I used to live with a sax player who always played a descending Eb major scale whenever he got the instrument out. A thing like…
Read MorePicking Exercise #4: Music First
If I want to work on a certain aspect of my playing, I try to learn an actual piece of music that’ll help. E.g., if…
Read MorePicking Exercise #3
All played with strict alternate picking. Start on a downstroke. (the last one will start on an up though) Then reverse the picking; i.e., start…
Read MorePicking Exercise #2
Forgot to add words to yesterday’s post, but that’s what happens when you diet on biscuits and fake whelks. Anyhow, we all know that it’s…
Read MorePicking Exercise #1
What does it all mean?
Some things just aren’t meant to be understood. I have this theory that there’s a void between ‘understanding’ and experience. But it’s a nice place…
Read MorePlay Your Own Music
I do many types of gigs, different music and so on, it’s all good. But, there’s something magical about creating something. Something where I can…
Read MoreWittgenstein On Games
How do you define a thing? For example, if you ask, ‘what is a bus?’, you could start to define that by setting out…
Read MoreBalletic Movements
I used to do T’ai chi, and there are many wonderful looking and feeling movements within the short form; it’s a beautifully flowing and balletic…
Read MoreFilters
Ever listen to music through some kind of filter? You could set filters to only let certain frequencies through, or to remove certain frequencies., So,…
Read MoreTechnique Is Control
Know what you’re doing. Have it under control. If you want to do it this way, you can. If you want to do it that…
Read MoreMuting Test
This is a nice way to work on fretting-hand muting. You crank the amp to Tufnellian proportions and play an Ab major scale. Only difference…
Read MoreComposite Scales
Here’s an idea that came from a student at The Arden Centre a good few years ago; I think his name was Ben Shaw. Could’ve…
Read MoreMove Yourself Forward – Leveraging Technology
An interesting possibility that the Internet offers up is that you can very easily post snippets of your playing, things you’re working on, things you…
Read MoreDiminished chords in scales
There are four locations for a diminished 7th chord within the Harmonic Minor and Harmonic Major Scales. If you treat the diminished 7th as a…
Read MorePlay into changes before they happen
Play into changes before they happen. Easy example: say you’ve got a progression that goes F- to Cmaj, you just start playing Cmaj sounds whilst…
Read MoreBest Use Of A Diminished Chord?
Tell me the best place you’ve heard a diminished chord * Anyway, one of my favourite tunes is ‘Beatriz’ by Chico Buarque, there are some…
Read MoreSome Things To Do With Whatever You’re Learning
So the idea is to give yourself different ways to learn something. You may find if you try to, for example, demonstrate something you…
Read MoreAwareness
How does one become more aware? Have you ever listened to boiling water for more than, say, 9 hours straight? If not, surround yourself with…
Read MoreTriplet Picking Exercise in Odd Groupings
This is a little exercise I developed that breaks away from regular picking patterns. It presents a good problem to practise.
Read MoreNuance
Nina Simone, Jeff Buckley, Bjork, Frank Sinatra. All these singers have beautiful nuances in their voices. I want to do that! Little request now: A…
Read MoreHappy Ear Day
Try This… Play ‘Happy Birthday’ or any other tune you know from childhood. If you can’t play it straight away without any mistakes, then what…
Read MorePlaying dominant chords with upper structure triads
Three part chords is what we have here. Part 1. The Bass Note It’s a C. Leave it to the bass player – they’ve trained…
Read MoreDo a transcription
I think transcribing is a really useful thing to do. I see it as a replacement for not having a body of work to study,…
Read More7th Chord Inversions. II V I
Here are all the 7th chord inversions using these here voicings on strings 6432 for a II V I progression in G major. Learn it…
Read MoreControl of the Pick
Phrasing on the guitar is somewhat complicated by the fact that how something gets phrased is a combination of where you play it on the…
Read MoreThe Bag
The idea here is to work on co-ordination between left and right hands, and combining picking and slurring. The exercise uses all the left-hand fingers,…
Read MoreOver Analyse – Under Analyse
Learning is an experiment. When I’m learning something I try to think about how I’m going about the learning. So I try many different approaches….
Read MoreDyad Comping in D dorian #2
Here are the possibilities for different intervals in D Dorian on the D and G strings. Of course, if you have exceptionally long fingers, or…
Read MoreDyad Comping in D Dorian #1
Here’s a way of comping on a static modal vamp. The kind of thing that might be appropriate on a tune like ‘So What’ or…
Read More3 Minute Warm Up
3 Minute warning, maybe :) Anyhow, at 140 BPM the whole thing takes 2 minutes, so let’s aim for that. A two minute warm-up sounds…
Read MoreSus 4 resolutions in C Major
George Van Eps wrote three books on manipulating chords called Harmonic Mechanisms for Guitar. It’s full of things to do with chords. Very full :)…
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